Category: Spring 2025

Three Poems

By P.H.G.

The Latest Flame

I’m having an affair with a box of matches
But don’t tell anyone
Some of my more loyal friends know,
but my family would never understand 

Its sardonic rattle in my grip
Chaos scittering in fragile, uniform pieces
The rough shink
when it opens itself to me,
the cardboard playing a little hard to get

The coarse vibration of the phosphorus head 
dragging over the hexagons
of signature oxblood stripes
The colour of long lust and mayhem

We have our differences, sometimes
As with all passionate affairs, there is
Friction
But without it,
Well,
We wouldn’t have the chemistry we have
That spark of desire and need
That fire

Each strike hisses secrets
Telling me how it likes to have
its smoke held in my mouth
It whispers to me and only me
I burn
I pine 
I perish
So I burn too
Immolated
Until we are both reduced to nothing 
but ash


The Sick and the Citrus 

Let the lady with the needles do her work.
Place your heart in her hands,
still beating and bloody,
and hear your new heartstrings
Thrum to her rhythm

Let her pricking thumbs
weave patterns and webs
in your epidermis
Enjoy your new tight seams,
intricate and minuscule,
before she unravels you

In her girlhood, she practiced on oranges
As many aspiring pre-meds do
Oranges, mimicking the tension of
human skin
Were stitched and laced in her kitchen
With methods from thick textbooks
But something darker called to her
Something unseemly
A hunger to be sated
A thirst to be quenched
A feeling unfelt by healers
And her young dreams fell away,
as so many do

So here she is
And here you are
With your own hungers and thirsts
In this place where
we feel what is unfelt
by the sick and the citrus

Give in to the need
and the cunning craft
Let her pierce your rind,
bring your pain to the surface,
And drink deeply


An Acquired Taste

I have never eaten a mind before
Yet you offered me yours,
served in delicate china bowls
with cracks from crimes against the raw ceramic
outlined dark veins
You handed me a dessert spoon
and begged me to taste
With complete freedom to make substitutions
as I wished

It came away against the silver like a fine mousse
I had expected to need a steak knife
or at the very least something with bite
But it seems I have a talent
for cutting through you

You have an intricately seasoned subconscious
It seems it has been waiting a long time
for an epicurean like me
Its flavours simmering
blending
and steeping into something
rich and strange

With my first taste,
I knew the meaning of gluttony

Your brain pleads for an elegant wine pairing
Suggested by a sommelier
in hushed tones and a pressed suit
Perhaps a merlot, to bring out the flavour of obedience
Or a fine chianti


And now I cannot have enough
My hunger grows
I hide little snacks in dishes with lids
I sneak into the kitchen with a ladle,
Adding new spices with crazed abandon
I pick out stuck scraps from between my teeth
and under my fingernails
To savour you all over again

It is never enough
I am never sated
I am never satisfied
I find myself eating grey matter over the sink,
thoughts dripping from my elbows into the porcelain
with a soft think


Biographical Statement: P.H.G is a writer with a background in Shakespearean theatre living in England. Although she has a diverse range of interests, her writing frequently features a unique blend of sensuality and darker kink themes. Previously only writing for personal expression, she is now seeking publication for the first time after ten years of scribbling.

Artist’s Statement: These works were not originally written to be grouped together and were written at very different times. However when reviewing pieces to submit, their compatibility was very evident. All three have very specific and intertwined subjects which personally I have not come across in other poetry.

The Latest Flame is about my own feelings towards kitchen matches, an object-based fetish I have had since I was 17 and one which is so rare, I had to make the tag for it myself on popular kink websites.

The Sick and The Citrus is a poem I wrote as a character study, but really the subject is an amalgamation of myself, other wonderful ‘vampires’ I have met on the kink scene, and the young pre-med girl who first told me that oranges have the same thickness and resistance as human skin. Hence why budding surgeons practice stitches on them.

An Acquired Taste is the real reason I wanted to write an Artist’s statement. The other two could stand on their own without explanation, however I would be fascinated to hear from readers how they interpret this piece. Art is meant to be subjective and poetry is always open to interpretation, so this one is ripe for projecting the reader’s thoughts and personal focuses on. However, what this piece is truly about is hypnosis. Specifically, erotic hypnosis done within a dominant/submissive dynamic. A very special submissive introduced this to me, and previously I hadn’t ever given much thought to hypnosis other than stage tricks and tv. In case you don’t know, allow me to tell you; it is real. It is powerful. It is addictive. It is dangerous. And it is one of the best things about being alive.

A special thank you to the Editor for indulging me.

The Cicadas Cry

By Casey Kendle

Summer is full of lust and
I am full of grief. My body aches,
still not used to the pain

it now has to carry. The world
feels heavy, and regret trudges
alongside me on the scorching asphalt.
My mother will ask me what’s wrong

and I’ll smile, unwilling to share
the burden of my boyfriend’s love.
At night I open my windows,
close my eyes and sit in the

thick, humid air with a blanket
wrapped around me—
I pretend that if I don’t move,
nothing will ever hurt me again.


Biographical Statement: Casey Kendle is an up and coming poet who’s from Virginia. They were born in rural China, and brought to Virginia at a young age, and have stayed there ever since. Their work was published in Pwatem, as well as in several fanzines.

Artist’s Statement: “The Cicadas Cry” is a poem I hold dear to my heart, and is about struggling to accept the cards you’re given in life.

Tourist

By Jozlyn Basso

There are landmines in our backyard,
and I carefully jump around
them while Dad takes apart
his Smith & Wesson and drenches
the porch with molten black oil.
The sticky stains coat a ringing shadow
of Mom’s fallen
windchimes, their bells tolling
in the voice of God,
and Dad can’t tell if they’re damning him or not.
Today, the sun shines hotter
than it did in Iraq,
and Dad warns me to get back in the house
before my skin is burned.
Through the tan curtains, I see
Dad cup his head in his hands.
From far away, his knuckles look less calloused
and sometimes I imagine them, all soft
and rosy, before they learned
to slide delicately
between trigger and soul.


-In memory of SPC Timothy Gresham, walk tall young man.


Biographical Statement: Hello! My name is Jozlyn Basso, and I am a sophomore at VCU. A teacher introduced me to poetry in elementary school, and since then, I have been compelled to write. Poetry has been a dominant force in my life, and I hate it almost as much as I am infatuated with it. Beyond writing, I find great joy in relaxing in nature and being surrounded by family and friends.

Night Kitty

By Christine Stoddard

My eyes fall on the lights and shadows cutting up the Neotropical forest. Patches of gold and green collide with crevices colored deep browns and blacks. Agave and rubber trees form an army that marches on for miles. Maybe to them I am a rogue soldier, hunting for a news story to publish in the military newspaper. My camera hangs from my neck, bouncing off my chest whenever I speed up. I seek nothing new, but rather something old. This is my grandmother’s backyard. Though she has been dead 40 years, perhaps her face lives in a log or her heart lies pounding on a stump, nestled by ferns. I cannot know if I do not look.

When a hibiscus bush rustles, I freeze. More plants start to dance. Then a jaguar, ebony with the faintest smattering of spots on its forehead and sharp shoulder blades, emerges from the foliage. It might have crossed my path without acknowledging me, but I lose my balance and snap a twig under my ugly hiking boot. The jaguar shoots its big head toward me. Its amber eyes roll around, betraying their bored owner, and its massive jaw hangs open. I fear I might have angered the jaguar, but it is only annoyed. It snuffles like it’s clearing its nostrils, though I suppose that is a reluctant greeting. Without thinking, I exclaim, “Abuela!” In the same instant, I lift my camera. Too late. The jaguar has already leapt across the remainder of the path and into the brush. The movement is so swift and clean that the plants it pushes past only tremble for a moment after the beast has gone. Meanwhile, I cannot move so swiftly, or at all. When I finally do, I turn around and head back toward camp, not a single photograph saved to my SD card.


Biographical Statement: Christine Stoddard is a filmmaker, performer, writer, and artist named Brooklyn Magazine’s Top 50 Most Fascinating People and has won BestOfBk.com’s Best Artist. She runs the YouTube channel @StoddardSays and co-hosts the comedy TV show “Don’t Mind If I Don’t” on YouTube @DontMindTheShow. As an undergrad at VCUarts, she started her career writing books, exhibiting art, founding Quail Bell Magazine, and directing the documentary “The Persistence of Poe.” ​Her work has appeared in the Portland Review, Ms. Magazine, Cosmopolitan, The Feminist Wire, City Limits, and beyond. Her books include Desert Fox by the Sea, Belladonna Magic, Water for the Cactus Woman, and other titles.